Lou Stoumen Midcareer Grant From the Museum of Photographic Arts San Diego
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News Room
Loftier Museum of Fine art Commissions Three New Photographers for "Picturing the South" Series
November 30, 2017
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Southern-based photographers Marking Steinmetz, Debbie Fleming Caffery and Alex Harris to create new works for the High's collection
Outset project in series to be unveiled in March 2018
ATLANTA, Nov. thirty, 2017 – The High Museum of Art has deputed Marker Steinmetz, Debbie Fleming Caffery and Alex Harris for the Museum's "Picturing the Southward" photography serial. Established in 1996, this distinctive initiative supports established and emerging photographers in creating new bodies of piece of work inspired by the American South for the Museum's collection, which is the largest and most significant public repository of the region's contributions to photography. Past participants in "Picturing the South" include Abelardo Morell, Martin Parr, Kael Alford, Richard Misrach, Emerge Mann, Dawoud Bey, Emmet Gowin, Alex Webb and Alec Soth.
"For the first time since nosotros launched this initiative, each of the selected photographers is based in the South. They bring an important perspective to their projects that is rooted in personal experience and deep connections to the civilization and mural," said Rand Suffolk, the High's Nancy and Holcombe T. Greenish, Jr., director. "As ane of the outset American art museums to collect photography, the High has a longstanding commitment to the medium. These commissions extend our dedication to photography and our focus on celebrating the rich artistic legacy of the region by providing a platform for Southern artists to push the boundaries of their practice."
"Each of these achieved mid-career photographers brings a distinctive artful and point of view to the series," said Gregory Harris, the Loftier's banana curator of photography. "We are excited by the piece of work they are creating and look forwards to bringing their photographs into our drove."
Based in Athens, Ga., Steinmetz is widely respected as one of the leading mid-career photographers working in the South today and is known for his documentation of the region'southward social and geographical landscapes. For his "Picturing the South" commission, he has focused on air travel and Atlanta's Hartsfield Jackson International Airport — the virtually heavily trafficked airdrome in the world. Steinmetz'southward black-and-white prints closely consider the activity and interactions that take place at this crossroads of the "New South." Some prints explore the richly circuitous conglomeration of public and private moments that play out in the airport's exterior and interior spaces. Punctuating these human moments, Steinmetz also has made studies of the jet trails left past passing planes, the overgrown landscape that surrounds the drome and aeriform views of the urban center. Together, the works provide a poignant perspective on Atlanta as a global urban center and underscore the role the airport plays as a gateway to our modern world. Works from Steinmetz'due south commission will debut at the Loftier in a solo exhibition opening on March 3, 2018.
"At the aerodrome, people from all over the earth and from all walks of life tin can be institute in the midst of their journeys," said Steinmetz. "I have been photographing in and around the Atlanta drome for the past several years. My main discipline has been the passengers, but I am likewise photographing the people who work at the airdrome, the planes (interiors and exteriors), as well as the hotels, parking lots and neighborhoods that surroundings and support the airport. My photographs range from portraiture and landscapes to more bathetic work almost the skies and about flight."
Caffery'south portraits and landscapes capture struggling agronomical communities in rural northern Louisiana and western Mississippi. Once thriving hubs for agriculture and river merchandise, these crumbling communities now experience high rates of unemployment, inadequate healthcare and a lack of important social services. Co-ordinate to Caffery, "Bustling main street highways that once ran through the centers of these towns take moved and left behind shuttered businesses and empty, deteriorating buildings. Many young people have moved on. In my photographs, based on numerous years of fieldwork, I look below the surface at the people who live in these places that take been partially abandoned. In the midst of burned-out houses and deserted store fronts, many of my photographs peer into the spaces where people who remain gather." Caffery is based in Lafayette, La., and regularly exhibits her piece of work in museums and galleries throughout the The states and Europe.
Built-in and raised in Georgia, Harris is the founder of Duke University'due south Centre for Documentary Studies and currently lives and works in Durham, Due north.C. Nigh a decade ago, having documented contemporary Cuban society, he was asked to photograph on the prepare of Steven Soderbergh's picture show "Che" (2008). Inspired by that experience, Harris is exploring electric current narrative cinematic representations of the Due south past chronicling productions of contemporary independent films set up in the region. "Our experience of the South has largely been formed by our greatest visual storytellers, who imagine and create films about Southerners with lives and emotions like our own just somehow more acutely felt and beautifully expressed," said Harris. "I am delighted to be working with Southern independent filmmakers because of their extraordinary creativity and because their work — whether gimmicky or historical, enchanting or disturbing, authentic or fantasy — is sometimes not known outside the film festival circuit. My goal is to use notwithstanding photography to immortalize quintessential moments in contemporary Southern independent films and, by seeing means in which my photographs from dissimilar productions resonate with each other, to see the South in a new calorie-free."
Well-nigh Mark Steinmetz
Steinmetz (American, born 1961) has lived and worked in Athens, Ga., for nearly 25 years. He is the writer of more a dozen photography books, many of which were published by Nazraeli Press. His piece of work has been featured in solo and grouping exhibitions at galleries and museums throughout the Usa, and his photographs are included in the distinguished collections of The Museum of Modern Art, New York; The Metropolitan Museum of Art; the Art Institute of Chicago; the San Francisco Museum of Art; the Museum of Fine Arts, Houston; and the High Museum of Art, among others. In 1994, he was awarded a Guggenheim Fellowship that enabled him to photograph extensively throughout the South. Much of this work later appeared in his books "South East," "Greater Atlanta" and "fifteen Miles to M-Ville." Steinmetz has taught widely at many prestigious institutions, including Harvard University, Sarah Lawrence College, Emory Academy and Yale University.
Nigh Debbie Fleming Caffery
Caffery (American, born 1948) grew upward in rural southern Louisiana in the heart of sugarcane country. While a student at the San Francisco Art Plant, she began a lifelong project documenting African-American workers in sugarcane fields and mills as well every bit their landscapes. In 1995, she began photographing in rural Mexico. That piece of work led to a lengthy projection documenting brothels, for which she received a 2005 Guggenheim Fellowship. In 2006, Caffery received a Katrina Media Fellowship from the George Soros Foundation for her project titled "Portrait of Neglect: Injustices of Hurricane Katrina." In add-on, she is the recipient of a Lou Stoumen mid-career grant from the Museum of Photographic Arts, San Diego, and the Louisiana Endowment of Humanities' Michael P. Smith Honor. Her piece of work is included in numerous collections, including those of The Metropolitan Museum of Art, New York; Whitney Museum of American Art, New York; The Museum of Modern Art, New York; New Orleans Museum of Art; Museum of Fine Arts, Boston; and the Bibliothèque Nationale, Paris, France. www.debbieflemingcaffery.com
About Alex Harris
For over twoscore years, Harris (American, born 1949) has photographed beyond the American S and in locations as disparate as the Inuit villages of Alaska, the streets of Havana, Cuba, and the fish markets of Mumbai, India. He has taught at Duke Academy since 1980. His awards include a Guggenheim Fellowship in Photography, a Rockefeller Foundation Humanities Fellowship and a Lyndhurst Prize. Harris' work is represented in major photographic collections, including those of the San Francisco Museum of Mod Art, the High Museum of Art and The Museum of Modern Art, New York. His photographs have been exhibited widely, including in exhibitions at the International Center of Photography in New York and the J. Paul Getty Museum in Los Angeles. Every bit a photographer and editor, Harris has published 16 books. His book "River of Traps" with William deBuys was a finalist for the 1991 Pulitzer Prize in general nonfiction. Nearly recently, he published "Dream of a House: The Passions and Preoccupations of Reynolds Cost" with Margaret Sartor.
Nigh "Picturing the South"
The High began its "Picturing the S" initiative in 1996 both to provide a contemporary perspective on Southern subjects and themes and to build its collection of contemporary photography. The commissions take benefited the Museum likewise as the artists — Emerge Isle of mann's commission in 1996, for instance, helped support her shift to mural piece of work and resulted in the get-go photographs in her "Motherland" series. The other commissions range from Dawoud Bey'due south over-life-size portraits of Atlanta loftier school students to Emmet Gowin'due south aerial photographs of aeration ponds and paper mills. Photographer Alex Webb captured the drama of Atlanta's street life and nightlife, and Richard Misrach used a view camera to reveal the dazzler and desolation of Mississippi River landscapes between Baton Rouge and New Orleans, an area known as "Cancer Aisle." In the most contempo committee, Abelardo Morell focused on representing trees — an iconic subject that has captivated artists throughout the history of photography — in playfully unusual and imaginative ways. He traveled to state parks and wildlife refuges in Georgia and Tennessee to capture the images, fifteen of which were featured in the High'south presentation of the 2014 exhibition "Abelardo Morell: The Universe Next Door."
Nearly the High's Photography Section
The Loftier Museum of Art is home to the most robust photography program in the American Southeast. The Museum began acquiring photographs in the early 1970s, making it one of the earliest American fine art museums to commit to collecting the medium. With nearly vii,000 prints, holdings focus on American work of the 20th and 21st centuries, with particular strengths in modernist traditions, documentary genre and gimmicky photography. Holdings include the most significant museum collection of vintage ceremonious-rights-era prints in the nation as well as of import holdings by Harry Callahan, Clarence John Laughlin, William Christenberry, Ralph Gibson, Richard Misrach, Walker Evans and Peter Sekaer. The collection also gives special attention to pictures made in and of the South, serving as the largest and most pregnant repository representing the region's important contributions to photography.
Most the High Museum of Art
The High is the leading art museum in the southeastern The states. With more than than 16,000 works of art in its permanent drove, the Loftier Museum of Fine art has an extensive anthology of 19th- and 20th-century American art; a substantial drove of historical and contemporary decorative arts and blueprint; pregnant holdings of European paintings; a growing collection of African-American fine art; and burgeoning collections of mod and contemporary art, photography, folk and cocky-taught art, and African art. The High is besides dedicated to supporting and collecting works by Southern artists. Through its didactics department, the High offers programs and experiences that engage visitors with the world of art, the lives of artists and the artistic process. For more than information about the High, visit high.org.
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Marci Tate Davis
Manager of Public Relations
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Source: https://high.org/Press-Release/high-museum-of-art-commissions-three-new-photographers-for-picturing-the-south-series/
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